Talking to the minimal master


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Meticulously produced minimal tracks does not necessarily translate into cold, tedious and cataleptic dancefloors, actually, Bruno Pronsato proves just the opposite: a feast of smooth and well crafted minimal percussion can actually make you dance and take you on a trip of altered states of consciousness. Check him live at the TBar and you’ll know what we’re talking about.

Without further ado, ladies and gentleman, the minimal master: Bruno Pronsato.

Unlike.net: Bruno, I thought you were an Italian producer, but then I’ve found out that you are American, your real name is Steven Ford and apparently Bruno Pronsato is your ex-wife’s brother name. How did that happen? And, is he annoyed now you have the same name as his?

Bruno Pronsato: Well, it’s a common mistake, I can’t begin to tell you how many times I shocked some Italian promoter with my very limited knowledge of Italian. My first record was sort of a fluke. I never honestly thought that I would go any where with my music. That being said, I just sort of chose that name as it was the first thing that came to mind. It had a sort of elegant ring to it. I liked it. Now, I can’t think of one person outside of my mother that calls me “Steven”.

Unlike.net: It seems that a lot of minimal techno artists/producers started as drummers. Gaiser from the m_nus label studied classical percussion, was a drummer in a punk band and now is a minimal techno artist/producer. You had a similar history as well, you started as a drummer in a punk/hardcore band, Voice of Reason, and now you make techno music. Do you see any link in it? How did that shift from punk/hardcore to techno happen? When did you really start to get involved with techno?

Bruno Pronsato: Well, I think the link is pretty clear. Techno and all of it’s variants are very much percussion based. I suppose that is our (drummers) attraction to the genre. In general, techno relies on percussive builds as opposed to evolving harmonies. Pretty much my shift to techno was based on the fact that I was tired of working in bands. Gathering four people becomes tedious after a time. The computer was the next step in having all of your musicians together at one time – at your whim. No more scheduling problems. Problem solved.

Unlike.net: What are your main musical influences? First record you bought? Last record you bought? Any current artist/producer you really like?

Bruno Pronsato: My influences vary from month to month. I’m really whimsical about what is grabbing my attention. At the moment, I’m back in my Curtis Mayfield craze. The first record I bought, that I can remember… I think it was Devo’s Live EP, I’ll have to verify that with my mom. smiles As far as artists producers that are current, I’d have to say that I am loving Atlas Sound at the moment. Amazing rock stuff.

Unlike.net: How do you write your music? Do you always have an idea in mind or do you start playing around out of the blue until ideas come up?

Bruno Pronsato: I’m pretty much the kind of person that sits down in the morning and tweaks synths until I find something I like. First I am playing something for a couple of bars, then fitting that patch or whatever to make the notes that I played sound magical. I’m no trained musican.

Unlike.net: What about your live performances? What sort of hardware and software do you use?

Bruno Pronsato: The live set up is relatively simple. I’m using Ableton for software, which is controlling two analog machines: a Jomox 888 and a Jomox Mbase.

Unlike.net: Would you like to collaborate with a particular artist/producer in the future? What are your future plans? Any hot news for Unlike.net readers?

Bruno Pronsato: Hmmm. I would love to work with Thurston Moore, it’s always been a sort of huge fantasy. I think something like that would be different for me. At the moment, though, I have a lot of collaborations coming out. One with Thomas Melchior coming out in May on Smallville. Another with Sergio of Benoit & Sergio coming out on Hello?Repeat this summer. We are calling the project NDF. Last but not least, my girlfriend (Ninca Leece) and I started a project a few months back called Public Lover. It’s a much more smoothed down version of our work. Very sexy. Sultry and perhaps a bit nasty. We have a record coming out this summer as well. Unlike.net readers can find a live set over at my SoundCloud page. She just released her album a couple of weeks ago, called ‘There Is No One Else When I Lay Down And Dream.’ A very amazing album, by the way.

Unlike.net: What is your favourite hobby? (apart from music, I suppose…)

Bruno Pronsato: I’d have to say it would be cooking. It’s sort of a hobby I picked up a couple years back to relax myself after spending days on end in the studio.

Unlike.net: Any hot tips for upcoming techno producers?

Bruno Pronsato: I wish I did! I’m still learning myself…

Music video for Bruno Pronsato’s “There’s Galaxies Better” from the “There’s Galaxies Better EP” released by the label Hello?Repeat. 2007


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Talking to the minimal master - Club - London